Monday, February 23, 2009

Bob Marley


B

ob Marley remains the best-known name in reggae, even more than 20 years after his death. His real revolutionary stance and spirit helped make him an icon to most of the non-Western world.

Marley, along with Peter Tosh and Neville Livingston (later known as Bunny Wailer), made up the Wailers, who scored their first Jamaican hit in 1963, and kept going from there. Even before most of the world had heard of them, they were already major stars who’d gone through some serious musical growth, from the lovely “Stir It Up” through the more politically aware “Simmer Down,”

to the quantum leap of sound once they joined up with producer Lee Perry and his house band (who basically stayed with the Wailers permanently).

Many of Marley’s classic songs came from the fertile couple of years he worked with Perry. Having become a Rastafarian, his writing took a turn for the serious and conscious, with pieces like “Kaya,” “Small Axe” and “Duppy Conqueror.”

It wasn’t an easy jump to global success. The band signed with Island Records in 1973, and their sophisticated sound found sympathy with some rock fans on both sides of the Atlantic.

To many, Marley’s talent flowered fully after Tosh and Bunny Wailer quit the band. Certainly Natty Dread, the first album completely under his own name, was a classic. These were the songs that resounded around the Third World and made Marley into a hero. He was articulating the feelings of the downtrodden across the globe.

If he was a hero to many, at home he attained almost godlike status. He was perhaps the only man in Jamaica who could bring peace in the December 1976 general election, and that was what he tried to do. The night before his peace concert, however, he was the victim of an assassination attempt. The next day, his arm in his sling, he still speared onstage before leaving Jamaica for a year.

It would be 1979 before Marley made his most explicit public statement with Survival. “Africa Unite” and “Zimbabwe” showed he was thinking internationally, something few artists did, and the album was, at heart, a call to arms for Africa. He followed it in 1980 with a tour of Africa that cemented his legendary status there, and with Uprising, whose closing “Redemption Song” is still about a wonderful an epitaph as a man can hope to have.

Marley, of course, died of cancer in 1981, at the age of 36, in a life cut far too short. His legacy is still enormous.




Blog Archive

KING DJANGO


A seminal force in the American ska & reggae scene, KING DJANGO has made his name internationally as a singer, ragamuffin MC, songwriter, arranger, instrumentalist (trombone, ukulele, harmonica, melodica, etc.), producer, studio engineer and label owner (Stubborn Records).

On his newest album Roots Tonic, Django has enlisted an all-star cast of NYC's finest ska/reggae veterans. The result: twelve crucial roots reggae cuts utilizing tuff original riddims covering a wide range of styles including dark, sultry lovers rock, militant rockers, crisp rub-a-dub deejay, psychedelic dub and even niyabinghi, complex lyrical structures, and combinations with Rocker T and Dr Ring Ding. Musically, Roots Tonic harkens back to the positive, political reggae of the late 70's / early 80's spearheaded by legendary imprints Island, Frontline, Trojan, Heartbeat, On-U Sound and Greensleeves. That was a time when songwriting was key, conscious lyrics reigned supreme and reggae music was live and full of soul & Dancehall was in its infancy and still resembled reggae, unlike its mostly American hip-hop and R&B influences today. So sit back, take a heavy drink -- its 100% organic -- and soak up reggae's energy, strength, and soul with our cure-all: KING DJANGO's Roots Tonic on JUMP UP/Stubborn Records (USA)/Bacteria Buffet Records (Canada)/Ska In The World Records (Japan)!

King Django always keeps busy and always has a surprise or two up his sleeve. Drawing on such diverse influences as roots reggae, dancehall, ska, rock, soul, swing, and American and Yiddish folk music, he has always been a hard man to pigeonhole. His versatility within genres of punk, rhythm & blues, and Jamaican grooves is unmatched, starting early as the singer / trombonist of legendary NYC ska band The Boilers (1986-1988), evolving through reggae/soul/punk/jazz experimentalists Skinnerbox (1989-1998), and achieving mainstream recognition as the founder and leader of traditional ska supergroup Stubborn All-Stars (1994-1999). After the ska revival died down, King Django was able to devote his full energy to solo material: "Roots and Culture" (Triple Crown Records, 1998) combined ska, reggae and traditional klezmer music; while "Reason" (Hellcat / Epitaph, 2001) was an adventurous, eclectic self-produced album of rock deeply grounded in roots-reggae, dancehall, hip-hop, and drum and bass. In late 2003, King Django headed to Switzerland to record King Django Meets The Scrucialists, unleashing twelve brilliant slices of political roots reggae, rockers, dub, lovers rock, ska and dancehall, including two combinations with German ska/dancehall superstar Dr. Ring Ding.

In 2003 and 2004, Django hit the road in support of three releases on three different independent labels. A Single Thread, an 11-year career retrospective, which saw release in three countries (Megalith Records, USA/Ska In The World, Japan/Leech, Switzerland) presents an overview of Django’s range of style and capabilities. In 2003, King Django headed to Europe to record King Django meets the Scrucialists (Jump Up Records, Chicago/Leech, Switzerland). These sessions unleashed the true lyrical genius that has been inside Django all this time. The result was twelve brilliant slices of political roots reggae, rockers, dub, lovers rock, ska and dancehall, including two combinations with German ska/dancehall superstar Dr. Ring DingThe American release also includes two exclusive dancehall versions created with the hottest new riddims coming straight out of Jamaica. Version City Sessions (Asian Man Records, California) showcases Django’s talents as a producer, engineer and remix artist.


King Django has toured internationally many times over as a solo artist, as the leader of Skinnerbox and Stubborn All Stars and as trombonist for Rancid, The Toasters, and legendary New York City hardcore band Murphy's Law.In the studio, he has worked closely with fellow NYC pals the The Slackers and Skadanks and recorded with Tim Armstrong, Lars Fredrickson and Matt Freeman of Rancid and Dicky Barrett of the Mighty Mighty Bosstones on Stubborn All Stars’ Back with A New Batch in 1997 (Triple Crown).

At about the same time, Django began collecting studio equipment and soon the legendary Version City was born. Within months, a steady flow of bands flocked to this NY mecca to create warm Jamaican vibes with Django's knowledge, production and engineering skills.<>

CHRIS MURRAY

Chris Murray is a unique force on today's music scene. As leader of influential Canadian ska group King Apparatus, Chris earned a strong reputation as a dynamic performer and gifted songwriter. Upon the band's breakup, he relocated to Los Angeles, emerging as a solo artist with his debut album The 4-Track Adventures Of Venice Shoreline Chris. This charmingly lo-fi collection of home recordings won high praise for its finely crafted tunes and the raw sincerity of its vintage production.
 

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